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The Enemy WithinChronology of an Anti-Skepticism Case in ArgentinaAlejandro J. BorgoThis is an account of an episode I would have never wished to report. It shows how skeptics are not immune to hoaxing and it emphasizes the importance of preventing future events like this in skeptical organizations.On November 15, 2001, Argentine UFOlogist Francisco Fazio was a guest on the TV show Movete. He presented a World Trade Center video, where a UFO could be seen "filmed" flying near the Twin Towers (supposedly on July 24, 2000) [1]. The video originally aired on the Sci Fi Channel more than a year earlier, as a promotional clip [2]. The next day, November 16, 2001, Christian Sanz, the president of the Argentine skeptic organization ASALUP [3], appeared on the same TV show to show the other side of the coin. UFOlogist Fazio was there and they held a heated debate. Sanz read the following while the audience watched the WTC video:
This video was presented by a girl named Barbara. This video was made by Edefex S.A. [4] for a television channel called Sci Fi. Not only did they make this video but they came out saying that they have done it because Sci Fi, a television channel, had a smaller audience and wanted to make a joke like Orson Welles did. They not only made it but they also explained how it was made [...]This (video) was debunked pixel by pixel. This was admitted by a company called Edefex. This was the first time that Sanz mentioned the company Edefex. The next time was when he published an article titled "El ovni que no fue" ("The UFO that wasn't there") on the ASALUP Web site, (www.asalup.org) on November 17, 2001, one day after the television debate with Fazio.
The Private RequestThe article drew the attention of journalist Alejandro Agostinelli, who wondered about the source quoted by Sanz. There was no sign of a company called Edefex on the Web. The only thing he could find was a short mention dated 1995, on a Brazilian Web page, as The Edefex Group USA. The journalist, who at that moment was producing a TV special, sent an e-mail to the Sci Fi Channel and he got an automatic reply. A producer in Los Angeles phoned Sci Fi and nobody answered his questions about who the maker of the WTC video was. From then on, Agostinelli inquired after Sanz several times. Sanz answered that he had taken the Edefex information from a Mexican UFO Web site, this being confirmed via "fax by a technical who had worked for Sci Fi." Sanz said he was sending the "papers." But nothing came.So, on January 29, 2002, Agostinelli wrote again to Sanz asking him for a source where he could check the existence of that company. Sanz answered that the document (proving that Edefex was responsible for the making of the special effects shown on the Sci Fi Channel's video) was mislaid amongst other papers. In a move from his home to another residence, the document had disappeared: "I never searched on the Internet for Edefex and I've only trusted in a piece of paper, sent to me by a Mexican man, that has a logo who could be done by anyone who had a graphic program . . . maybe I have fallen into a stupid trap and the saddest thing is that I didn't check the info because of the hurry to make the article. Believe me, I have exhaustively searched for the sources supporting my assertions. I think I'm going to put a note on the Web site to make clear what has happened, and from now on I won't do such imbecility anymore. . . ." Agostinelli, who knew the reliability and seriousness of the magazines that had published the article, advised Sanz to write a note clarifying the question. When Agostinelli asked Sanz, a few hours later, who the Mexican was that could set that trap, Sanz answered, "The guy's name is Hugo Gim nez Moreno and he is Mexican. We have not exchanged many letters, only twice. Regarding the clarification, I was just working on that." Note that he said he had exchanged some correspondence with a Mexican man named Hugo Gimenez Moreno. On another e-mail that Sanz sent to the internal mailing list of ASALUP, Sanz says "the whole thing was handled through conventional mail." What happened was not clear, mainly because Sanz seemed to have a different answer for each person. Ten months later, by the end of September 2002, there was no note, no disclaimer, and no reply. Agostinelli had asked and waited for the information over ten months. Not only did he not receive an answer, but he made an astonishing discovery: On the Mexican Web site X-Files Mexico (not online anymore) there was an article by Arturo Lugo and Cesar Buenrostro with entire paragraphs identical to those in Sanz's article [5]. The point was that this Mexican article was written and published before Sanz's article. And one more thing: Sanz didn't mention any source and didn't quote any author. The article published by ASALUP was signed by Sanz as if it was from its own writing. However, it looked like a copy. And that copy quoted a dubious company. A little later, Lic. Carlos Dom地guez pointed out to Agostinelli and I another copy made by Sanz. This was an earlier article about the Fox sisters, "La Casa de los Espiritus" ("The House of the Spirits") that was published by January-February 2001 in the CAIRP's twelfth newsletter [6], signed by Sanz. The original article belonged to Claudio Trivisonno and its title was "Charlando con Elvis. Una explicacion cientifica del espiritismo" ("Chatting with Elvis. A Scientific Explanation of Spiritualism"). Sanz added only a paragraph at the beginning and end, and put the whole article under his own name.
The Public Request BeginsAgostinelli and I decided that we had arrived to a point where we had to make our findings public. Over ten months had passed without reply or clarification.So, on October 9, 2002, I sent a message to the mailing list "Incredulos" which belongs to ASALUP and whose administrator is Sebastion Bassi, saying that I'd seen these irregularities and asking for a clarification of the whole thing. They said that there was no evidence regarding the copy that Sanz had made of the Mexican article, and that the Edefex quote could be a mistake. It is very strange to maintain a "mistake" online for ten months, particularly when the author, president of the association, had been notified of it and said that he was going to correct it. ASALUP removed the article from the Web site, saying that it was in "review." So if anyone wanted to check that what we were saying was true, it could not be done. They removed the evidence of the copy and the dubious quote of Edefex. Regarding the paragraphs of Sanz's article, 40 percent of it was an exact copy of the article of the Mexican Web site "X-Files Mexico." [7] However, on October 9, 2002, in a message sent to the mailing list "Incredulos," Sanz says, ". . . what I told Agostinelli is that I needed time to show him a fax sent to me by the first researchers of this item." Until this e-mail, Sanz had never talked about a fax in a public list. He had mentioned a document, a paper, but not a fax. He had also referred to a fax in the ASALUP internal mailing list on October 7, 2002, "I wrote to the (Mexican) guys and they answered quickly. They ask me if I had a fax machine. I told them that I had one [...] and they sent me what they got. This paper was shown the next day on Carmen Barbieri's TV show." But actually, the first time he mentioned a fax was in a private e-mail sent to Agostinelli on January 2, 2002: "I've got the information about Edefex from a Mexican Web page about UFOlogy and that info was confirmed through a fax by a technical who worked for Sci Fi. I'm searching these papers and I'll send them to you." From then on, he began to talk of a "document," "paper," but not of a "fax" until October 7, 2002, ten months later. If he had already said to Agostinelli that "that info was confirmed through a fax" . . . why did he, at the same time, allude to a "correspondence" with a Mexican man? Why didn't he continue to talk of a fax all the time? Sanz also mentioned a "technical" who has worked for the Sci Fi Channel. But in the first e-mail mentioned here, he gave the name of Hugo Gimenez Moreno. And ten months later, he mentioned Arturo Lugo. Until now, ASALUP members kept on saying that Lugo was the man who sent that fax. But Lugo is missing. Sanz was alternating two different names all the time, and the imprecise description technical. This was not clear at all. On October 8, 2002, one of the members of the Directive Board of ASALUP, Max Seifert, resigned. He is the only one who went away right after he discovered that Sanz's behavior was highly suspicious. Seifert asked for proof and evidence (Where is the fax? Why had Sanz signed a copied article as if he had written it? Where is the evidence that Edefex exists?), while the rest of ASALUP members inverted the burden of the proof: they asked Seifert to prove that Sanz was wrong. Sanz was the (supposed) author of the article, the one who quoted a (non-existent) company, and the recipient of the fax.
Edefex Could Be EdefxOn October 10, 2002, a member of the list "Incredulos," Carlos Alvarez, sent a private e-mail to the vice-president of ASALUP, Norberto Maraschi in which he said that the correct name of the company was Edefx (without the "e"). This was the first time that the real name of a company was mentioned, eleven months after the release of the article on the ASALUP Web site. Actually, there was a company named Edefx Group, but we couldn't be sure if this was a "mistake" or not. Four days later, on October 14, 2002, Carlos Alvarez sent another e-mail, this time to the mailing list "Incredulos" saying that the correct name of the company was Edefx and that it was acquired by the Miami Broadcasting Group (in fact, the correct name is Miami Broadcast Center). And this fact caused Sanz and the rest of ASALUP members to begin talking about Edefx instead of Edefex. So it was easy for Sanz to search for this name on the Internet and get all the company data. The question is: how could he receive a fax with an Edefex logo in November 2001, when he knew about the true company data on October 2002? There seems to be two options: Either he received a falsified fax or he invented one.
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